|The studios at VCCA are housed in the former barn |
complex. During my second time there, we had
a terrific blizzard. This pictures shows the brilliant
day after the storm with more than a foot
of snow on the ground.
|One of my favorite installations at VCCA is this|
glass labyrinth in the garden, which was
even more fun to engage with in the snow.
A residency affords you uninterrupted time to write, or pursue your art. The biggest benefit for me at VCCA was not having to cook, and not having to shop for food, and not having to clean up. The only “household” thing I had to do was my laundry. It is amazing how much brain space frees up when you don’t have to tend to everyday life! I anticipated this and had specifically applied to a place that feeds you. Luckily, the VCCA feeds you well; they even have their own kitchen garden. Uninterrupted time is, of course, the main reason for seeking out a residency, and you will get that, unless you party all the time, which some people do, but the fellows at the VCCA were all dedicated to their work when I was there, and that was inspiring. I didn’t want to show up to dinner, and not have a good answer to: “So what did you do today?” This brings me to my next point:
|My footsteps to my studio, which was actually a |
composer's studio, and thus a freestanding hut
with a piano I had to water.
The Camaraderie of Other Artists Spurns You On. When I first inspected my studio, on the afternoon I arrived, I was intimidated: A whole big room just for me to write? A board hung by the door, bearing all the signatures of writers who’d been there before me. I recognized several names, former professors of mine among them, and I was even more intimidated. Then, the next morning, as I wandered over to my studio with all my equipment to move in (really just my laptop, and backup materials for my book), I saw others working away in their studios, especially the painter whose studio was across the walkway from mine, so I thought: “If these people can do it, work away, self-propelled, on whatever artistic project they are pursuing, then I can, too.” And so I did. I decided to follow Hemingsway’s example, and set a goal of 500 words for myself every day, and I made it.
You Make Amazing Connections. While I anticipated the bliss of having whole days free to write, I did not anticipate what a fruitful experience it would be to be in the community of other artists, not only writers, but visual artists, i.e. painters, printers, photographers, and also composers. Almost every evening, after dinner, fellows would organize a reading or two, someone would present his or her music, a visual artist would give a presentation, or occasionally, several artists would host an open studio night. At both residencies, I made great friends, not only in fellow writers, and those friendships have enriched my life ever since. Two or more weeks at the same place really afford you the time to make friends, and to connect with people with similar interests and sensitivities.
In my opinion, the community aspect is the real benefit of a residency. You can arrange for uninterrupted writing time in other ways (rent a hotel room with room service, for instance, or hide in a remote cabin somewhere), but you can hardly arrange to bond with other writers and artists.